Friday, February 28, 2014

Act 2 JC

Monday, 3/3- Tuesday, 3/4

Monday: Thinking About Thinking: (Meta cognitive Thinking) 
Make a list of the Conspirators

Tuesday: List two instances that could have changed the outcome of the play

Wednesday: Brutus has convinced himself that he is doing the right thing by joining the conspiracy. Write two thoughts that could go through Brutus's mind 
Thursday: Calpurnia's Visions: How do you react to a "nightmare"? 


Goal: Introduction to ACT 2 Students will read, analyze and discuss Julius Caesar Students will relate to the concepts of betrayal and deception in modern society. 

Review Scenes 1 and 2
Brutus' side- Scene 1: Caesar's view- Scene 2 
Caesar's side- Scene 2


 1. Finish reading Act 2


** Students should complete their work packets 
2. . Review packet 

3. Complete Journal


Tuesday: Test Act 2

The Rising Action: 
1. Students will read and discuss Act 1 scenes 3 and 4 
2. Answer packet questions 

Closure: (Each day) Discuss Caesar and Brutus as a paradox ***Students should read the translated version on their own 

CC.1.2.9-10.A: Determine a central idea of a text and analyze its development over the course of the text, including how it emerges and is shaped and refined by specific details; provide an objective summary of the text. 

CC.1.2.9-10.B: Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences and conclusions based on an author’s explicit assumptions and beliefs about a subject


Act 2 Analysis/ Journal

Goal: Analysis of  ACT 2
Students will interpret/ analyze act 2 through journal writing

1. Students will answer the following character analysis questions:

Answer all questions.  Use SPECIFIC examples from the text.  (Minimum of 7 sentences per answer.)

1. Review Portia's and Calpurnia's roles thus far in the play.Write out three quotes for each character that epitomize their roles.  Explain what each quote reveals about their personalities.

2. List all of the conspirators that have been introduced in Acts 1 and 2

3. How does Brutus feel in each scene?
Discuss his emotions in each scene and support it with SPECIFIC EXAMPLES FROM THE STORY.

4.LIST EACH INSTANCE WHERE BRUTUS OVER RULES CASSIUS.  Is this what Cassius expected?  How can this foil his plan?

5. Begin in Act 1
Make a timeline of each step of the conspiracy plan - complete Act 2

6. Which character can you relate to (positively or negatively) ?  What qualities do they posses?  In what ways can you relate to them?

Please turn your work into www.turnitin.com

7. Begin Plot structure worksheet

CC.1.2.9-10.A: Determine a central idea of a text and analyze its development over the course of the text, including how it emerges and is shaped and refined by specific details; provide an objective summary of the text.

CC.1.2.9-10.B: Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences and conclusions based on an author’s explicit assumptions and beliefs about a subject

Wednesday, February 26, 2014

Julius Caesar Act 2

ACT 2

**Homework notes:  Read to the end of scene 1 for Wednesday
Read the entire act for Thursday

Review Act 1

Bell Ringers:
Tuesday, 3/5- Friday, 3/8

Wednesday, 2/26 Thinking About Thinking: (Metacognitive Thinking)
Bell Ringer: Does this play seem realistic?

Thursday
 Brutus has convinced himself that he is doing the right thing by joining the conspiracy. Write two thoughts that could go through Brutus's mind

Friday
Calpurnia's Visions: How do you react to a "nightmare"?

Goal: Introduction to ACT 2 Students will read, analyze and discuss Julius Caesar Students will relate to the concepts of betrayal and deception in modern society.

Brutus' side- Scene 1: Caesar's view- Scene 2

1. Students will read and review Act 2 Scene 1
 2. Students will read and discuss Act 2 sc 2
** Students should complete their work packets
3. Review packet

The Rising Action:
1. Students will read and discuss Act 1 scenes 3 and 4
2. Answer packet questions


Project list

Closure: (Each day) Discuss Caesar and Brutus as a paradox ***Students should read the translated version on their own

CC.1.2.9-10.A: Determine a central idea of a text and analyze its development over the course of the text, including how it emerges and is shaped and refined by specific details; provide an objective summary of the text.

CC.1.2.9-10.B: Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences and conclusions based on an author’s explicit assumptions and beliefs about a subject

Monday, February 17, 2014

Act 1 Continued

Intro to Julius Caesar

Thinking About Thinking: (Meta cognitive Thinking)
Bell Ringer:
Monday - Define the word BETRAYAL
-Tuesday- Write a question about the concept of forgiving someone
(Be ready to answer and discuss the concept of forgiveness)

Students will relate to the concepts of betrayal and deception in modern society.
Monday:
1. Students will review Act 1 Scene 1
2. Students will read and discuss Act 1 sc 2
** Students should complete their work packets
3. Review packet

Tuesday and Wednesday
1. Students will read and discuss the remainder of Act 1
2. Answer packet questions
3. Quiz on Act 1

REVIEW LINK

Closure: (Each day)
Discuss Caesar and Brutus as a paradox

***Students should read the translated version on their own
CC.1.2.9-10.A: Determine a central idea of a text and analyze its development over the course of the text, including how it emerges and is shaped and refined by specific details; provide an objective summary of the text.

CC.1.2.9-10.B: Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences and conclusions based on an author’s explicit assumptions and beliefs about a subject



CC.1.2.9-10.A: Determine a central idea of a text and analyze its development over the course of the text, including how it emerges and is shaped and refined by specific details; provide an objective summary of the text.

CC.1.2.9-10.B: Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences and conclusions based on an author’s explicit assumptions and beliefs about a subject

Intro to Julius Caesar

Intro to Julius Caesar

Bell ringer:  Discuss one way in which people can be manipulated.  Give an example

Goal: Students will explore the historical background to Julius Caesar
Students will discuss PARADOX

1. In the packet, students will read "An Introduction to Julius Caesar"
2. Student will read and take notes on "A Brief History of the Roman Empire"

Paradox:
Paradox can prove to be very revealing about human nature and the way that we speak. If someone says to you "I'm a compulsive liar," do you believe them or not? That statement in itself is a paradox, because it is self contradictory, which is precisely what a paradox is.
At the most basic level, a paradox is a statement that is self contradictory because it often contains two statements that are both true, but in general, cannot both be true at the same time. In the aforementioned example, can someone be both a compulsive liar yet telling the truth at the same time?

Caesar as a PARADOX:
1. A great general
2. Charismatic in politics
3. Decisive in his judgements
4. Sharp in his evaluations of men

(However/ Paradoxically)
1. He is deaf in one ear
2. Prone to fevers and epilepsy
3. Unable to compete with Cassius by swimming in the Tiber River fully armed
4. Afflicted with a sterile marriage
5. He professes to fear nothing yet is extremely superstitious
6. He thinks he is above flattery, yet he is especially vulnerable to it.

All of this is a paradox because he had aspirations to be above MORTAL weakness


Brutus is a PARADOX
1.1. Strengths different- weaknesses similar

A. Truly noble Roman from an ancient family whose glory it had been to defend the personal liberties of Rome (Roman Tradition)
B. Good rapport with courageous and noble wife
C. Genuinely kind to servants
D. Trustworthy in friendship
E. Finds Caesar's ambition for power distasteful and vulgar

**Brutus's "Hubris" is  pride of family and country -- on these he is vulnerable to flattery even though he too, feels that he is above it.

R11.A.2 Identify, interpret, describe and analyze literary devices in fictional and literary nonfictional texts.

Sunday, February 16, 2014

Julius Caesar Project List

Julius Caesar Project List – Grade 10
Directions:
1.         Students should review the following project choices.
2.         Each student must complete a minimum of two (2) projects from two (2) different acts. For example, a student can choose a project from Act II and Act IV. A student cannot choose two projects from the same act.
3.         All projects should be typed using Microsoft Word (when allowable).
4.         All projects are due the day after we take the test for the specified act.
5.         A student can start a project after a specific act test. If a student is not completing a project for a specific act, he/she will be required to work on “station” items.
6.         Five points will be deducted from grade for each day a project is late after each act. No projects will be accepted after the secpmd day past the due date.
7.         A grading rubric will be provided.
8.         If there are any questions or concerns, please ask/see me.



Act I Choices
Artwork - . ARTISTIC INTERPRETATION
You may choose to do an artistic interpretation of something from the play. Draw a picture, make a collage, or make a diorama that represents a major character, event, or scene from the play. Then, write at least TWO paragraphs describing what you created and why it is significant/how it relates to the play.
     Explain what it means and reference two (2) specific quote(s) from the play. Remember to list the act,scene, and line(s) you are referring to when using quotes! You may even choose to create     something that represents a relationship between two or more characters in the play if you’d     like (ie. Brutus and Cassius, the conspirators and Caesar, Antony and Brutus, etc.)


Drawing/ writing – Political Turmoil
Read act 1 again.  Create 3 scrolls: 1 for each letter Cassius forges.  Write the letters and address them to Brutus.  Convince him that he needs to join the conspiracy, rid the world of Caesar, and control Roman government. ( Each scroll should contain a letter and artwork.)
Detail:  Using any kind of art materials, you should draw an image depicting the point of view of each letter.
            -Each scroll should be created on an 8 ½ x 11 sheet of paper.

Writing - Advice Column
As Brutus, write a letter to an advice columnist requesting the help with the problem of betraying a loyal friend in order to save a country.   First, list the reasons Rome may be doomed under Caesar’s rule. Next, discuss how you could improve this situation.  Write a letter that explains your list and asks for advice.  In the end, decide if you should side with Caesar or the conspirators and explain why.

Writing- Journals
 JOURNAL ENTRIES
Write at least THREE journal entries (Minimum of TWO paragraphs each) from the point of view of one of the main characters. You may choose to write from the perspective of Caesar, Brutus, Cassius, or Antony. All journal entries should be from the SAME character. The journal entries can span from a few different scenes or come from one scene, whichever you would prefer. Be sure to list the act(s) and scene(s) which the journal entry is referring to—you may want to use that as the
date for the journal entry. A partial example is below:

Example:
Dear Diary, Act I, scene 1
I was so excited to hear the news of great Caesar’s return to Rome today. Some
of the other commoners and I decided not to wear our work clothes and celebrated in
the streets while we waited for Caesar to return…One of the officials scolded us, but we
had some fun with it and made a joke of him. He wasn’t too happy about it, but…
(journal entry continues)....
—Cobbler

Act II Choices
Creative Design - Character Sketch
Construct a character sketch on a main character of your choice that illustrates the character’s personality, relationships, feelings, and motivations during this act.  Your sketch will include images, quotes and words.
            -The character sketch should include the following:
2 images of the character
4 images representing personality traits of the character
4 words to describe the character’s personality
3 quotes by the character

All images should be put together in a collage using Microsoft Word, Publisher or a program of your choice.  You should also include a paragraph explaining why you chose the specific items on your project.

Writing – Poetry (Iambic Pentameter)
Create a poem that consists of at least eight lines in iambic pentameter. Your poem may be in blank verse, consist of rhymed couplets, or follow some other rhyme scheme.

Specifics:
Write a poem about one of the major characters from the story. You may choose
to write about the personality, downfall, relationships, problems, struggles, etc.
of Brutus, Cassius, Caesar, or Antony. The poem should have AT LEAST 10
LINES with TEN SYLLABLES in each line to follow the iambic pentameter
rhythm used by Shakespeare. Remember to give your poem a creative title! Do
not worry about stressed and unstressed syllables, but do make sure that each line
adds up to ten syllables.

Creative Writing - Text message
Rewrite a dialogue between two characters that takes place in Act II of the text in modern-day format as if it took place via texting on a cell phone.
            -Chose a section with a minimum of 25 consecutive lines. Make sure you write the Act #, Scene #, and line numbers on your paper.


Act III Choices
Visual - Imagery
Depict the imagery in Antony’s monologue / funeral speech. Use a graphic organizer on Microsoft Word to organize his points that will manipulate the crowd.

Writing - Character Analysis
Choose one of the main characters introduced in Act I. Then write a short essay in which you analyze this character’s personality traits.

Writing - Editorial
Imagine that you are the editor of a newspaper in Rome at the time of the play. Write an editorial addressing the Anthony’s response to the death of Caesar.
            1) Reread the Anthony’s dialogue in the scene.
            2) Decide whether the conspirator’s reactions were appropriate, and explain.
            3) Write the editorial, supporting your ideas with details from Acts I-III.
or

NEWS STORY

Imagine that you are a reporter on the scene of Julius Caesar’s murder. You  just witnessed everything that happened to Caesar. Write an article for the local
newspaper and report to the public what has happened to their leader. Remember to give your news article a creative TITLE that will make it stand out! Report everything that you saw, including the crime itself, how it happened, where it happened, when it happened, who was involved in the
crime, perhaps how some of those people knew Caesar, and what happened directly afterwards. Note—News articles should NOT include reporter opinion. Paragraphs are shorter, and should follow inverted pyramid style writing. Inverted pyramid means that the most important information (the murder itself) comes first, followed by less and less
important information, with background information coming last. To help, use an article from the local newspaper as your guide.


Act IV/ Act V Choices

Writing – Your own ending – THIS PROJECT HAS TO BE COMPLETED AFTER ACT IV
If you were to write your own ending for the play, what would it be? Write a narrative of events that would occur in your version of Act V. Make sure that your version develops naturally out of the events in Acts I through IV.

Music - Play list
Choose one of the characters from the text and create a play list of five songs that that character would have on his or her iPod or MP3 player. Invent the name for the play list. Burn a CD of the songs and create a CD label with the appropriate details or put the play list on your iPod or MP3 player.  You also need to print out a list of the following:
         1) artist name
         2) name of song
         3) name of album
         4) relevance to character (paragraph for each song)

Creative Writing - Digital Artifacts
Imagine that you find a portable disk next to the computer of one of the characters from the
play.  It might be a USB keychain disk, or another device. This storage disk contains personal documents—letters, “to do” lists, data, and poems written by the character for his or her eyes’ only. Recreate the following files and hand in the device.
                   Include the following:
                   1) to do list with 10 tasks to complete
                   2) letter to a friend
                   3) poem to or about a loved one (minimum of 10 lines)

                   4) sales receipt for a purchased item

Creative Writing:
CHARACTER HOROSCOPES—
Superstition is used often throughout Julius Caesar. Daily horoscopes are a modern-day form of superstition, and they usually give a somewhat vague prediction of something that may happen to you that day. Write one “daily horoscope” for each of the major characters in the story (Brutus, Cassius, Caesar, and Antony). You may choose any scene from the play to write that day’s horoscope about. Be sure to reference the act, scene, and, if applicable,the line(s) the horoscope is referencing/predicting for the character. You should have a total of at least FOUR horoscopes, one for each character. Each horoscope should be about one paragraph in length. Note—you do not need to make every character’s horoscope from the same day/scene. They can come from
practically anywhere in the play. Look at your daily horoscope in the newspaper or
online to help give you an idea of what to write.

Sunday, February 9, 2014

Renaissance History

Bell Ringer:

List 2 characteristics of a TRAGIC HERO

Connection:  The actual leaders of the Renaissance were TRAGIC HEROES

Renaissance History

England must always have a strong king:

1455-1475 - War of the Roses
Yorks -White Rose - Stuarts
Tudors- Red Rose - Lancasters
**Note secession of royal families below

1475- Printing Press - Gutenberg

1485- Henry VII- First Tudor King

1492- Columbus discovers America

1509- Henry VIII - 6 wives; Catholic Church; Father of next three rulers

1516 Utopia - Sir Thomas Moore

1534- Proclamation of the English Church

1547-53 - Edward II

1553-58- Mary

1558-1603- Elizabeth I - Universal order
**Discoveries; Arts; Music; Writing; Sculpture; Military and Science/ Medicine
1558- Sir Walter Raleigh to VA

1558-1616- Book of the Courtier


1564- 1616 - Wm. Shakespeare - April 23:  37 plays - Renaissance man

1588- Defeat of the Spanish Armada

1588- Sir Walter Raliegh to Virginia

1590- Faerie Queen
1603- Elizabeth dies - Stuarts take over

1603- 25- James I (king) - Union of England and Scotland

1616 - Death of Shakespeare

1640- Charles 1

1640- Civil War

1642- Theaters closed and Charles is beheaded  (Puritan beliefs)

1660- Charles II - Restoration of the monarchy
Tuesday:
Finish notes on history and review worksheets:
1. GETTING ACQUAINTED WITH SHAKESPEARE
2. ELIZABETHAN ERA

R11.A.2 Identify, interpret, describe and analyze literary devices in fictional and literary nonfictional texts.

Wednesday, February 5, 2014

Drama Terms

Drama Terms

Drama Terms
  • What is drama?
  1. Drama- a literary form that recreates human life and emotions; uses dialogue; a play.
  • Writing the play:
2. Playwright- the author of a drama
3Script- the play in written form
4. Blank verse- unrhymed line of iambic pentameter
5. Pun- a play on words that has more than one meaning, often has a serious meaning
6. Pathos- suffering or deep feeling; when an audience experiences sorrow or pity
7. epiphany- a spiritually uplifting time when a character recognizes his/her flaws
8. Catharsis- working through emotions

  • The story the play tells:
8. Theme- main idea
9. Plot- series of events that support the theme
10. Protagonist- the main character; the hero
11. Antagonist- usually a bad person who opposes the main character

  • The organization of a play:
12. Prologue- an introduction
13. Act-division of a play
14. Scene- division of an act
15. Stage directions- instructions on a script
16. Dialogue-the lines; what the characters say
17. Cue- a signal for an actor to speak

  • The play on stage:
18. Actor- a person who plays a role in a drama
19. Character- a role played by an actor
20. Flat- forms a background for a play; backdrop; a piece of scenery or background
21. Props- anything used on the stage, except costumes and sets; stands for property
22. Set- flats, scenery, and props for a scene or act
23. Director- the person in charge of the performance
24. Green room- a place for the actors to relax
25. Motivation- whatever causes a person to act in a certain way.


  • Dramatic conventions:
  1. Aside- when a character speaks directly to the audience without being heard by the actors
  2. Concealment- allows a character to be seen by the audience but remain hidden from the other actors
  3. Soliloquy- when an actor speaks his/her thoughts aloud alone on stage (solo); a monologue
  4. Monologue- A long, uninterrupted speech presented in front of other characters

  • Types of  drama:
30. Comedy- a drama where the hero wins; funny; white flag
31. Tragedy-  a drama that lets the audience experience how the hero suffers but learns from his agony; a drama where the hero loses; sad; black flag
32. History- based on actual historical event or person; red flag

  • Tragedy:
31. Tragic hero- a person born into nobility with the potential to be great, but the person has a tragic flaw which leads to making a serious error in judgment, resulting in the person’s death.

Examples: Tragic Flaw- 

  1.  Classic tragedy-  had three elements that create unity: time, place, and action
  2. Shakespearean Tragedy- always has five acts

  • Literary devices used by Shakespeare and other dramatists:
  1. personification
  2. simile
  3. metaphor

  1. Hyperbole-deliberate exaggeration or overstatement.
  2. Satire-literary work that ridicules the foolishness and faults of individuals, an institution, or society.
  3. Imagery-descriptive language to create word pictures.
  4. Foreshadowing-clues that suggest events that have yet to occur.
  5. Flashback-means by which author presents material that occurred earlier. May be memories, dreams, accounts of past events.
  6. Irony-the expected or seemingly evident does not happen or is not said; a contradiction between what is said and what is meant.
  7.  Foil- a character who contrasts with another character, usually the protagonist, and, in so doing, highlights various facets of the main character's personality.
  8.  Allusion-a passing or casual reference
  9. Dramatic irony- when a character’s words or actions carry a deeper meaning that even he/she does not understand; when the audience knows something that the actor doesn’t

There are three stages of dramatic irony:

Installation – audience is informed of something the character does not know aboutExploitation – using this information to develop curiosity among the audienceResolution – what happens when the character finally finds out what is going on?
A special category of dramatic irony is tragic irony.
Tragic irony occurs when a character in a play does or says something that communicates a meaning unknown to her but recognized by the audience.
An example of tragic irony is when a character orders poisoned food that is supposed to kill him or her and the audience already knows that the character is destined to die from food poisoning.
Tragic irony was common in plays that depicted the lives of legends in ancient Greece.
 46. Verbal Irony- A contrast between what is said and what is meant; Verbal irony is the use of words to mean something different from what a person actually says.
Ex: “Thanks for the ticket officer you just made my day!”
“I can’t wait to read the seven hundred page report.”

There are two types of verbal irony:

Overstatement – when a person exaggerates the character of something.Understatement – when a person undermines the character of something.
 47.Situational Irony- A contrast between what is expected and what really happens
It involves a discrepancy between what is expected to happen and what actually happens.
Situation irony occurs when the exact opposite of what is meant to happen, happens.
An example would be when someone buys a gun to protect himself, but the same gun is used by another individual to injure him. One would expect that the gun would keep him safe, but it has actually caused him injury.
There is however a difference between situation irony and coincidence or bad luck.
When someone washes his car and it rains, that is just bad luck; nothing led him or her to think that it would not rain. However, when a TV weather presenter gets caught in an unexpected storm, it is ironic because he or she is expected to know the exact weather changes.
For situation irony to occur there has to be something that leads a person to think that a particular event or situation is unlikely happen.
 48. Epithet -A descriptive adjective or phrase used to characterize someone or something. (Peter the Great)
    1. Example:  Romeo!  Humors! Madman!   Passion!   Lover!